(English → Español) View originalTranslators:
Anthology Film Archives, Cinema Tropical
and the Mexican Cultural Institute of New York present
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GENMEX:
RECENT FILMS FROM MEXICO
September 9 – 22, 20113uj8xaevy95wq31c22m8m7laxol4dfwo
Mexican cinema has reinvented itself. It’s been over ten years now since Alejandro González Iñárritu’s Amores Perros stormed the Critics’ Week at Cannes, winning its top prize and opening the door to an exciting new era for Mexican cinema. Since then Mexico has witnessed the birth of a vigorous and dynamic generation of young filmmakers who have been challenging many of the traditional and archetypical representations of the country.v1hiu55ax9bp9ppdadq64lwytkstc829
Taking advantage of hybrid modes of production, and hand-in-hand with the convoluted political and social changes that the country has experienced in the past decade, the members of this generation have been able to establish solid careers in a very short time span.p37apq8zq01ul6ln9jec9hh41fjqxtru
Carlos Reygadas, Pedro González-Rubio, Fernando Eimbcke, Natalia Almada, Julián Hernández, and Nicolás Pereda, among many others, are members of this diverse and influential group of filmmakers who have been making waves in the international film circuit. GenMex: Recent Films from Mexico presents works made by some of the most outstanding filmmakers of this generation, including the debut feature film of Gerardo Naranjo (director of the acclaimed Miss Bala), as icxwlf5ntmtlt3f7a9llhapvos1mzhvhwell as lesser-known yet exciting films that have had very limited exposure in the U.S. fz0uah71181cjfwz3a55t4r42o4apt08Programmed by Carlos A. Gutiérrez, Cinema Tropical.4vo21thzzfoo0aoz62mcrum71g88jel3
Presented as part of Celebrate México Now, a citywide festival of contemporary Mexican art and culture produced by CN Management.t1oup1c72z8k7m331qleqhe233ircsy4
Special thanks to Sandro Fiorin, Cristina Garza, and Alex Garcia (FiGa Films), Ondamax Films., Jonás Cuarón, Eireann Harper, Matías Meyer, Paola Herrera, Jonathan Hertzberg (IFC Films), Stephen Kent Jusick (MIX NYC), Demetri Makoulis (Elephant Eye Films), Maru Garzón and Javier Nuñez (The Mexican Film Institute – IMCINE), Claudia Prado (Centro de Capacitación Cinematográfica), Jonathan Miller & Livia Bloom (Icarus Films), Mary Kerr (Flaherty Seminar), and Steve Holmgren.2w3f9m2hzc1tfsmygvmyrgaf5sh2xnhz
All films in this series are in Spanish with English subtitles.isscy9p2m8hpm3jlpyzl7uyongrsor1h
nck5nb98v6d3bp5wrkwz86fh0v3ceqgn
NEW YORK THEATRICAL PREMIERE RUN!
THE INHERITORS / LOS HEREDEROS
(Eugenio Polgovsky, 2008, 90 min., 35mm.) Distributed by Icarus Films.
“The harsh, relentlessly arduous conditions experienced by children toiling in the Mexican countryside are observed with striking vision and cinematic poetry.” –Robert Koehler, Variety
The most highly praised and awarded Mexican documentary in many years, The Inheritors immerses us in the daily lives of s1zqp3wrwatst4gwkgvuzbe2q50hl8rxchildren who, with their families, survive only by their unrelenting labor. pr0q9gcq3ubpxgzj60xcreczxh7eseawPolgovsky, director of the similarly acclaimed documentary Trópico de Cáncer (2004), spent two years filming in many of the poorest rural areas of Mexico, where children barely bigger than the buckets they carry work long hours, in often hazardous conditions, picking tomatoes, peppers, or beans, for which they are paid by weight. Infants in baskets are left alone in the hot sun, or are breast-fed by mothers while they pick crops. njpzw3iasbs2huueqpa4m6y8z2c3twyyThe children Polgovsky films have inherited tools and techniques from their ancestors, but they have also inherited their day-to-day hardships and toil.
Friday, September 9 through Thursday, September 15 at 7:15 & 9:15 each night. Additional screenings on Saturday and Sunday at 5:15.je4jlwvuhic1adxdo5rsv23ro9vnf0cx
NORTHLESS / NORTEADO
(Rigoberto Pérezcano, 2009, 95 min., 35mm.)
“Cinema’s fascination with illegal border crossings between Mexico and the U.S. gets a totally fresh take in this delicately poised film. Focused on how life is lived precariously between desperate attempts to cross over, the story follows Oaxaca-born Andrés as he bides his time in Tijuana. He finds a little work at a convenience store and gets friendly with the two women who run it. beyqskwkr42qb5n2nmf61bfdsutye6wcAs the relationships deepen and their individual stories emerge, the emotional costs of the ties that bind are explored with great sensitivity. The sincerity of the minimal story line is balanced by a liberating humor and breathtakingly beautiful images that give life and dignity to Andrés and his fellow travelers.” –New Directors/New Films
Friday, September 16 at 7:00; Sunday, September 18 at 9:15xazig8skvfb2cddgqoj1nil95mxvc95g
THE CRAMP / EL CALAMBRE
(Matías Meyer, 2009, 90 min., 35mm)
Julien, a young French comedian, disembarks in Chacahua, a fishing community on Mexico’s pacific coast. His spiritual search, framed by stunning natural scenery, barely conceals his social failure. He is adrift in a world that is completely foreign to him. Then he meets Pablo, a local fisherman who will guide him towards spiritual healing. 8kcykz5sodswk2evycilp2ts434jj891Relating to this patient, simple man helps Julien come to terms with himself. Based on a short story by celebrated Chinese writer Gao Xingjian, Meyer’s second feature film is a contemplative meditation on anxiety and solitude.
Friday, September 16 at 9:00; Monday, September 19 at 7:00e9bispb80iva6a7ot18xkuzayy5v1n9q
INTIMIDADES DE SHAKESPEARE Y VÍCTOR HUGO
(Yulene Olaizola, 2009, 83 min., 35mm)
“Dipping a toe into (early) Errol Morris docu waters, Yulene Olaizola sustains a strange, unsettling mood.” –Variety.
Yulene Olaizola’s debut film is a thought-provoking portrait of two lonely and strangely intertwined friends. For years, Olaizola’s grandmother Rosa told stories of a handsome young lodger. pjhwepnfo1p9eywh00iydk8tdd7b5pcwLiving under (and on top of) her roof in the 1980s, he painted strange pictures on the walls and played an important role in Rosa’s emotional life. But this picture of a pleasant, harmless and creative young man slowly gives way to a shocking end.
Saturday, September 17 at 2:00; Monday, September 19 at 9:00q4k5dih58y3dxu5zdgd9ukgkrh8ksbmr
YEAR OF THE NAIL / AÑO UÑA
(Jonás Cuarón, 2007, 78 min., 35mm)
“The serious artistic drive to meld fine photography with cinema is married to a charming tale of young almostlove in Jonás Cuarón’s sweet and memorable debut. The project represents a year’s worth of photos Cuarón took of spontaneous events and day-to-day activities. dw5w1hphvxyj0phxojy8zkjeqfshu7anThe fictional narrative about 14-year-old Diego and visiting American college girl Molly gradually emerged out of organizing the photos into sequences, with all but one of the original subjects recording the soundtrack’s voiceover dialogue. … [A] thoughtful, tender but quite hip look at two young people with too much separating them for a match to ever be possible.” –Robert Koehler, Variety
Saturday, September 17 at 4:00; Thursday, September 22 at 6:45pm6c2kod9wlan20pjztu9ufl93pifolq
FAMILIA TORTUGA
(Rubén Imaz, 2006, 139 min., 35mm)
The debut feature from writer-director Imaz is an understated and sensitive drama about a family that gathers at their mother’s home on the anniversary of her death. They are overwhelmed with grief and a shared sentiment of haunting absence. sg7669l1yoswwat9r3y5w6pyx2amgrmzAt the center of it all is Uncle Manuel, a remarkable man who holds the clan together by doing all he can to help, which includes raising his brother’s children and assisting his trade unionist brother-in-law. Amid lost dreams, the family struggles to survive with one another, but most importantly, with themselves.
Saturday, September 17 at 6:00; Wednesday, September 21 at 8:30zwsngi0yqpe09ht4mrj4ylbcdqp8yw1p
PARQUE VÍA
(Enrique Rivero, 2008, 86 min., 35mm)
Beto is the custodian of a house in Mexico City, left empty for several years, in which he used to work as a domestic helper. pzdgfpaj8c7iejs1io874q4j5g3jo6vvThe solitude of the last ten years coupled with the monotony and routine of his job have led him to develop a pathological fear of the world outside, to the point of limiting his contacts to only two people: the owner of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confidante, and a lover. sn8y9a2l6yapd34guminvi5982ym3we1News that the house is to go on sale causes a dilemma for Beto, who doesn’t know whether he should dare to set forth and live or seek a way of remaining in his confinement.
Saturday, September 17 at 9:00; Wednesday, September 21 at 6:30.0larnlxdyubygilttpih9rmk0yployqp
MORE THAN ANYTHING IN THE WORLD / MÁS QUE A NADA EN EL MUNDO
(Andrés León Becker & Javier Solar, 2006, 90 min., 35mm)
Alicia, a seven-year-old girl, lives in an apartment with her mother. When the mother, after a sentimental setback, goes into a depression that makes her sleep for days on end, Alicia and her friend Lucía decide that an old man who lives next door is to blame; he has a gruesome aspect and is surely a vampire trying to possess her mother. g15i8qmxglzueu8wlgpdvy6kekhouq6oSo, Alicia decides to go into the neighbor’s apartment to put an end to the curse. Hailed by Variety as an “affecting feature debut”, this film by co-writer/director team Becker and Solar features a powerful performance by Elizabeth Cervantes in the role of the afflicted single mother.
Sunday, September 18 at 1:30; Tuesday, September 20 at 9:00w3lunamfaewivoqrvh8e28bpxijsntt4
DRAMA/MEX
(Gerardo Naranjo, 2007, 92 min., video)
Two interlaced stories unfold over the course of the same long, hot day in the once lush and now decadent resort town of Acapulco. The first involves the beautiful and cool Fernanda, who is forced to deal with the sudden emergence of the ex-lover, Chino. Her boyfriend, Gonzalo, must now compete with the intense sexual tension Fernanda and Chino share. 2eatq0y9jvot4wy3co1dobzd88vi11ncThe second story concerns Jamie, an office worker with hidden indiscretions, attempting suicide in a beach-front hotel until a precocious and equally dishonest teenage girl disrupts the plan. They will all converge in a stark and harrowing portrayal of moral ambiguity, in this story by filmmaker Gerardo Naranjo, director of the recent Cannes favorite Miss Bala.
Sunday, September 18 at 3:30; Tuesday, September 20 at 7:00qw5kq89vnn04m4uk1kp4yld5u6r083v3
RAGING SUN, RAGING SKY / RABIOSO SOL, RABIOSO CIELO
(Julián Hernández, 2008, 191 min., 35mm)
“One of the most consistent, revelatory cinematic visions anywhere in the world today.” –Michael Koresky, Reverse Shot
This is the third and final installment of a trilogy by Hernández, who has been described by Armond White as “Mexico’s finest, yet critically neglected, auteur.” An epic gay romance, the film is a passionate exploration of love, sex, and q0jr891357588vvua2gx7aqjtr1k1nipdestiny that tells the story of Kieri and Ryo, two young men whose love is set to a test in a mythical struggle in which loss and death are but inevitable phases in the journey towards happiness. ki3mjqh3ux2zoqbg2t8mkj0qjg7ta1u1Winner of the Teddy Award for Best Feature at the 2009 Berlin Film Festival, Hernández’s film is a ravishing meditation on the power of desire. Co-presented by MIX NYC, presenter of the NY Queer Experimental Film Festival.
Sunday, September 18 at 5:30; Thursday, September 22 at 8:30r9lr4zme6tv88jxthu1uuw5e40lwpe0b
(original) View Español translation
Anthology Film Archives, Cinema Tropical
and the Mexican Cultural Institute of New York present
GENMEX:
RECENT FILMS FROM MEXICO
September 9 – 22, 2011
Mexican cinema has reinvented itself. It’s been over ten years now since Alejandro González Iñárritu’s Amores Perros stormed the Critics’ Week at Cannes, winning its top prize and opening the door to an exciting new era for Mexican cinema. Since then Mexico has witnessed the birth of a vigorous and dynamic generation of young filmmakers who have been challenging many of the traditional and archetypical representations of the country.
Taking advantage of hybrid modes of production, and hand-in-hand with the convoluted political and social changes that the country has experienced in the past decade, the members of this generation have been able to establish solid careers in a very short time span.
Carlos Reygadas, Pedro González-Rubio, Fernando Eimbcke, Natalia Almada, Julián Hernández, and Nicolás Pereda, among many others, are members of this diverse and influential group of filmmakers who have been making waves in the international film circuit. GenMex: Recent Films from Mexico presents works made by some of the most outstanding filmmakers of this generation, including the debut feature film of Gerardo Naranjo (director of the acclaimed Miss Bala), as well as lesser-known yet exciting films that have had very limited exposure in the U.S. Programmed by Carlos A. Gutiérrez, Cinema Tropical.
Presented as part of Celebrate México Now, a citywide festival of contemporary Mexican art and culture produced by CN Management.
Special thanks to Sandro Fiorin, Cristina Garza, and Alex Garcia (FiGa Films), Ondamax Films., Jonás Cuarón, Eireann Harper, Matías Meyer, Paola Herrera, Jonathan Hertzberg (IFC Films), Stephen Kent Jusick (MIX NYC), Demetri Makoulis (Elephant Eye Films), Maru Garzón and Javier Nuñez (The Mexican Film Institute – IMCINE), Claudia Prado (Centro de Capacitación Cinematográfica), Jonathan Miller & Livia Bloom (Icarus Films), Mary Kerr (Flaherty Seminar), and Steve Holmgren.
All films in this series are in Spanish with English subtitles.
NEW YORK THEATRICAL PREMIERE RUN!
THE INHERITORS / LOS HEREDEROS
(Eugenio Polgovsky, 2008, 90 min., 35mm.) Distributed by Icarus Films.
“The harsh, relentlessly arduous conditions experienced by children toiling in the Mexican countryside are observed with striking vision and cinematic poetry.” –Robert Koehler, Variety
The most highly praised and awarded Mexican documentary in many years, The Inheritors immerses us in the daily lives of children who, with their families, survive only by their unrelenting labor. Polgovsky, director of the similarly acclaimed documentary Trópico de Cáncer (2004), spent two years filming in many of the poorest rural areas of Mexico, where children barely bigger than the buckets they carry work long hours, in often hazardous conditions, picking tomatoes, peppers, or beans, for which they are paid by weight. Infants in baskets are left alone in the hot sun, or are breast-fed by mothers while they pick crops. The children Polgovsky films have inherited tools and techniques from their ancestors, but they have also inherited their day-to-day hardships and toil.
Friday, September 9 through Thursday, September 15 at 7:15 & 9:15 each night. Additional screenings on Saturday and Sunday at 5:15.
NORTHLESS / NORTEADO
(Rigoberto Pérezcano, 2009, 95 min., 35mm.)
“Cinema’s fascination with illegal border crossings between Mexico and the U.S. gets a totally fresh take in this delicately poised film. Focused on how life is lived precariously between desperate attempts to cross over, the story follows Oaxaca-born Andrés as he bides his time in Tijuana. He finds a little work at a convenience store and gets friendly with the two women who run it. As the relationships deepen and their individual stories emerge, the emotional costs of the ties that bind are explored with great sensitivity. The sincerity of the minimal story line is balanced by a liberating humor and breathtakingly beautiful images that give life and dignity to Andrés and his fellow travelers.” –New Directors/New Films
Friday, September 16 at 7:00; Sunday, September 18 at 9:15
THE CRAMP / EL CALAMBRE
(Matías Meyer, 2009, 90 min., 35mm)
Julien, a young French comedian, disembarks in Chacahua, a fishing community on Mexico’s pacific coast. His spiritual search, framed by stunning natural scenery, barely conceals his social failure. He is adrift in a world that is completely foreign to him. Then he meets Pablo, a local fisherman who will guide him towards spiritual healing. Relating to this patient, simple man helps Julien come to terms with himself. Based on a short story by celebrated Chinese writer Gao Xingjian, Meyer’s second feature film is a contemplative meditation on anxiety and solitude.
Friday, September 16 at 9:00; Monday, September 19 at 7:00
INTIMIDADES DE SHAKESPEARE Y VÍCTOR HUGO
(Yulene Olaizola, 2009, 83 min., 35mm)
“Dipping a toe into (early) Errol Morris docu waters, Yulene Olaizola sustains a strange, unsettling mood.” –Variety.
Yulene Olaizola’s debut film is a thought-provoking portrait of two lonely and strangely intertwined friends. For years, Olaizola’s grandmother Rosa told stories of a handsome young lodger. Living under (and on top of) her roof in the 1980s, he painted strange pictures on the walls and played an important role in Rosa’s emotional life. But this picture of a pleasant, harmless and creative young man slowly gives way to a shocking end.
Saturday, September 17 at 2:00; Monday, September 19 at 9:00
YEAR OF THE NAIL / AÑO UÑA
(Jonás Cuarón, 2007, 78 min., 35mm)
“The serious artistic drive to meld fine photography with cinema is married to a charming tale of young almostlove in Jonás Cuarón’s sweet and memorable debut. The project represents a year’s worth of photos Cuarón took of spontaneous events and day-to-day activities. The fictional narrative about 14-year-old Diego and visiting American college girl Molly gradually emerged out of organizing the photos into sequences, with all but one of the original subjects recording the soundtrack’s voiceover dialogue. … [A] thoughtful, tender but quite hip look at two young people with too much separating them for a match to ever be possible.” –Robert Koehler, Variety
Saturday, September 17 at 4:00; Thursday, September 22 at 6:45
FAMILIA TORTUGA
(Rubén Imaz, 2006, 139 min., 35mm)
The debut feature from writer-director Imaz is an understated and sensitive drama about a family that gathers at their mother’s home on the anniversary of her death. They are overwhelmed with grief and a shared sentiment of haunting absence. At the center of it all is Uncle Manuel, a remarkable man who holds the clan together by doing all he can to help, which includes raising his brother’s children and assisting his trade unionist brother-in-law. Amid lost dreams, the family struggles to survive with one another, but most importantly, with themselves.
Saturday, September 17 at 6:00; Wednesday, September 21 at 8:30
PARQUE VÍA
(Enrique Rivero, 2008, 86 min., 35mm)
Beto is the custodian of a house in Mexico City, left empty for several years, in which he used to work as a domestic helper. The solitude of the last ten years coupled with the monotony and routine of his job have led him to develop a pathological fear of the world outside, to the point of limiting his contacts to only two people: the owner of the house, for whom he has a feeling of deep gratitude and respect that is translated into obedience; and Lupe, a friend, a confidante, and a lover. News that the house is to go on sale causes a dilemma for Beto, who doesn’t know whether he should dare to set forth and live or seek a way of remaining in his confinement.
Saturday, September 17 at 9:00; Wednesday, September 21 at 6:30.
MORE THAN ANYTHING IN THE WORLD / MÁS QUE A NADA EN EL MUNDO
(Andrés León Becker & Javier Solar, 2006, 90 min., 35mm)
Alicia, a seven-year-old girl, lives in an apartment with her mother. When the mother, after a sentimental setback, goes into a depression that makes her sleep for days on end, Alicia and her friend Lucía decide that an old man who lives next door is to blame; he has a gruesome aspect and is surely a vampire trying to possess her mother. So, Alicia decides to go into the neighbor’s apartment to put an end to the curse. Hailed by Variety as an “affecting feature debut”, this film by co-writer/director team Becker and Solar features a powerful performance by Elizabeth Cervantes in the role of the afflicted single mother.
Sunday, September 18 at 1:30; Tuesday, September 20 at 9:00
DRAMA/MEX
(Gerardo Naranjo, 2007, 92 min., video)
Two interlaced stories unfold over the course of the same long, hot day in the once lush and now decadent resort town of Acapulco. The first involves the beautiful and cool Fernanda, who is forced to deal with the sudden emergence of the ex-lover, Chino. Her boyfriend, Gonzalo, must now compete with the intense sexual tension Fernanda and Chino share. The second story concerns Jamie, an office worker with hidden indiscretions, attempting suicide in a beach-front hotel until a precocious and equally dishonest teenage girl disrupts the plan. They will all converge in a stark and harrowing portrayal of moral ambiguity, in this story by filmmaker Gerardo Naranjo, director of the recent Cannes favorite Miss Bala.
Sunday, September 18 at 3:30; Tuesday, September 20 at 7:00
RAGING SUN, RAGING SKY / RABIOSO SOL, RABIOSO CIELO
(Julián Hernández, 2008, 191 min., 35mm)
“One of the most consistent, revelatory cinematic visions anywhere in the world today.” –Michael Koresky, Reverse Shot
This is the third and final installment of a trilogy by Hernández, who has been described by Armond White as “Mexico’s finest, yet critically neglected, auteur.” An epic gay romance, the film is a passionate exploration of love, sex, and destiny that tells the story of Kieri and Ryo, two young men whose love is set to a test in a mythical struggle in which loss and death are but inevitable phases in the journey towards happiness. Winner of the Teddy Award for Best Feature at the 2009 Berlin Film Festival, Hernández’s film is a ravishing meditation on the power of desire. Co-presented by MIX NYC, presenter of the NY Queer Experimental Film Festival.
Sunday, September 18 at 5:30; Thursday, September 22 at 8:30